These brushes are also equipped for both later and oil-based paints so you won't have to worry about splitting brushes. Their brushes are explicitly made to evenly paint to any surface, which makes painting a little more effortless than ever. Wooster provides a wide range of professional paint brush ideal for different painting jobs. Paint Brushes that are used for painting walls may not be ideal for painting decks and fences. When it comes to any painting job, accuracy and efficiency is paramount as different strokes are required in each unique application. High-end roller covers also resist matting for complete coverage and achieve smoother results. This absorbent fabric exterior is ideal for large surfaces if you want to brush without moving back and forth, reaching for paint. Bristles that come in different shapes and forms have unique applications vital in painting jobs. Paint BrushĪttention to detail is also important for paiting activities and this is where different types of paint brushes come in handy. They are ideally used for textured surfaces such as wood paneling, bricks, and concrete. With Roller Frames, you'll be able to reach higher surfaces while smoothly applying coat to any surface that you desire. Some large painting jobs such as painting walls or ceilings may be a little too large to paint by manually using brush. A paint tray simply allows you to conveniently roll your frames and move along with your painting as smoothly as possible. Paint Trayįor any painting project, efficiency should always be your friend to shorten the completion time without compromising the quality of your work. With painting, here are some of the most vital tools that you should have before jumping on any painting job. An excellent painting job will significantly enhance the value of any property or surface, so it's necessary to do it the right way by using the required tools to get the job done.įor every activity, there are essential tools that is needed to equip in order to get the job done. Whether you're working on a DIY project or commercial use, these tools are crucial to achieving a flawless finish. Paint trays, roller frames, roller covers, and different paint brushes are essential for any painting activity. However, not every painting tool is made the same, and some may be better than others depending on the material and built quality. Having the right paint tools enables you to get the job done much faster and as efficiently as possible so that you can save more time for other manual labor activities. If you're planning to work on a painting project, you have to be equipped with all the right tools that would help you achieve a better-looking finish. PAINTING SUPPLIES Importance of Painting Supplies Read More
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Whether you bake it the day before for a stunning addition to Christmas breakfast, wrap and give as a visually impressive gift, or stand in the kitchen and consume fresh from the oven with chocolate and glaze dripping off your fingers, this twist is sure to become a favorite tradition in your household as well!ġ package active dry yeast (2 1/4 teaspoons)Ĥ 1/2 cups all purpose flour, plus more as neededĤ tablespoons unsalted butter, room temperature, cubedġ cup Nutella (for filling) For the glaze:Ģ cups powdered sugar, plus more as neededĪdd warmed milk to the bowl of an electric stand mixer. This beautiful little twist? Inspired by this family favorite stocking stuffer tradition, orange infused sweet roll dough is wrapped around velvety Nutella and draped in a buttery citrus glaze. You know the one? 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Players will either collect or pay money on each space, or they will collect a "LIFE tile." LIFE tiles consist of cards with random dollar values that the player reveals only upon traversing the entire game board and "retiring." The object of the game is not to be the one to traverse the board first (or even last - you don't win if you live the longest!) but to have the most money after everyone has finished (retired). Landing on a given space causes some "life-related" event to occur, such as having to pay taxes, or going on vacation, or some such. Gameplay consists of advancing across the board, which is divided into a number of spaces. If I really wanted to play a game of this sort (again, as a child), I would be far more inclined to play the boardgame and interact with the other players directly and move the pieces myself rather than focus on the computer screen. If I were a child and old enough to play a game of this sort, there would probably be far more interesting things for me to do on the computer than play The Game of LIFE. For this reason, I'm not sure how useful a computer version of this game is. As a result, this is a game that children will play with their friends or that the whole family will play together. Consequently, everyone has about an equal chance of winning any given playing. Thus, players don't get punished for making bad decisions: they simply get punished for bad luck. You simply spin the spinner and move as many spaces as it tells you. The Game of LIFE is an excellent children's game because there are a minimal number of decisions to make during play. Hasbro Interactive are releasing quite a few of their boardgame titles on computer (such as the aforementioned Sorry! as well as Axis & Allies), and as a result we're now able to play The Game of LIFE without having to clean off the dining room table. Of course, this is 1998, so it seems almost natural that a version would be released for the computer. While the fact was that the only thing you might learn was a bizarre caricature of life according to stereotypes formed during the 1950's, The Game of LIFE was certainly one of the children's/family games that most people of my generation will remember having played on at least a few occasions, along with such games as Sorry! and Clue. "You can learn about life when you play The Game of LIFE!" Many (American) readers will instantly recognize this catchy television jingle of some twenty years ago promoting the old boardgame by this name. Review & Unboxing video of Sleepyhead Flip - Dual Sided 6 inch King High Density Foam Mattress is available below. In comparison to buying through the local market. 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The virality of the phrase led to more girl in red fans, and as a result, more social media scrutiny on Marie, who was active on Twitter. “You either know what it means or you don't, and if you know, you did something right, I guess,” she says. For Marie, it’s cool that something about her music broke through a crowded pop culture landscape, and that people can use the code as a way of staying safe. This content can also be viewed on the site it originates from.ĭuring the pandemic, girl in red became synonymous with a now-established internet phenomenon: “do you listen to girl in red?” Across TikToks and tweets, it became a coded way to ask if someone is queer, like Marie is - the phrase solidified in singer-songwriter Haley Margo’s song of the same name. She’s a fan of Olivia’s too (“' Deja vu', great song,” she says) and is interested in the way Taylor’s influence manifests in each artist’s work. She cites Taylor’s focus on the shape of words, and how they feed into her melodies, as inspirations in her work. On the day we chat, Taylor has just dropped Fearless (Taylor’s Version), which Marie is excited to delve into. She’s part of a growing contingent of songwriters - Olivia Rodrigo and Conan Gray, for example - whose primary influence is Taylor Swift, the natural end result of listening to her albums on a loop as a teenager. “I can't expose myself by saying, ‘Wow, I have intrusive thoughts.’ I just want to make something that matters, something that I gravitate towards, which is honesty and stuff that feels real.” That vulnerability feels obvious to her - why hide what we all feel? “I have this theory that you can't expose a human being emotionally because we have the same emotions,” Marie says. So she names them, taking away their power. The Finneas-produced “Serotonin” examines how terrified she is of her intrusive thoughts, the corners of her mind. In her, Marie found a kindred spirit of sorts, in the sense that they both have things they’re running from. “Rue,” a 2020 single that’s on the album, was inspired by Zendaya’s character in Euphoria. It’s this willingness to reckon with inexplicable sadness, heightened emotion, and the moving states of her mental health on a given day that make a signature girl in red song. “I've been through hell, but I’m on my way out.” “I could die here and nobody would know,” the lyrics go. The place where light can come in too, through the cracks in the wall. It’s the place where you lay on the floor and aren’t sure you can get up. “It’s been a place I've hated and it's been a place I've loved, and it's been a place where I've been able to reflect on everything that's been happening mentally and in my life,” she says. It’s why she’s concerned with creating safe feelings for herself, in the form of the instruments, books, and knick-knacks that decorate her space. The home is a center for her, a place where the best and worst moments of life are lived. It’s a gut-punch of a song, a complex world of experiences and emotions distilled down to her bedroom. The distance from both home and touring travel seems to have allowed her to capture feelings from both, whether it’s a lonely New York City hotel room or her Oslo apartment. She recorded the album in the picturesque city of Bergen with producer Matias Tellez, which is where she spent the majority of 2020. In exchange for Edmond’s conversation and able bodied assistance, Faria tutors the illiterate Edmond in reading, writing, economics, history, politics, mathematics, physical and mental arts, and swashbuckling, giving him hope, life, mental fortitude and, oh yes, a map to buried treasure.Īfter another five years, Edmond eventually escapes (without a doubt still one of the most astonishing and adventuresome ever conceived) and meets up with pirates and in particular, Jacopo, who becomes his servant, and true friend, for life. But everything happens for a reason and this bump in the road is no exception as Faria enlists Edmond in his escape efforts. Unfortunately he was a bit directionally challenged and instead of digging out, dug up, running into Edmond. Unlike Edmond, Faria is a cheerful and wise old soul who has kept his mind, body, and hope for freedom alive by digging an escape tunnel. At the end of his rope after eight years of imprisonment, salvation comes in the form of Abbe Faria, a soldier turned priest who pops up through the rock flooring in Edmond’s cell. Run by the villainous Dorleac whose idea of fun is to beat the prisoners on the anniversary of their incarceration, Edmond is driven to the point of insanity with an insatiability for revenge against those that left him for dead. Meanwhile, Edmond is in his own living hell at Chateau D’If. Needless to say, the plot thickens when Villefort reports to Mercedes and Edmond’s father that Edmund is dead, pushing Mercedes into the arms of her other “friend”, Mondego. Entangling the politically ambitious Villefort in his web of deceit and destruction so that he might have Edmond’s beautiful fiancé Mercedes for his own, Mondego’s efforts prove successful and Dantes is sent off to life in prison at Chateau D’If. While seemingly historically impossible for nobles and commoners to mix and mingle in friendship, this minor deviation by screenwriter Jay Wolpert only enhances the story, adding increased depth and passion to the characters and the action itself.Īs the saying goes, politics makes strange bedfellows, and even in Dumas’ day, this was no exception. In a departure from the Dumas version, however, the primary conspirator, Fernand Mondego, is not merely a nobleman, but Edmond’s best friend since childhood. Somewhere deep in your mind, you may recall the tale of Edmond Dantes, a commoner with a kind heart working as a sailor, who is framed by several members of the aristocracy on the trumped up charge of treason for assisting the exiled Napoleon escape from the Isla of Elba. Probably best remembered for his lavish disaster, “Waterworld”, director Kevin Reynolds admirably redeems himself with this lavish, seemingly spare-no-expense production of “The Count of Monte Cristo.” With exacting precision, staggering attention to detail, exquisite location selection and costuming, opulence, just the right touch of humor and all those fine elements of jealousy, betrayal, greed and vengeance, not to mention, swashbuckling, dueling, murder and sunken treasure, too, Reynolds breathes new life into the time honored Alexandre Dumas literary classic of the same name. Growing up in Pauls Valley, did you have any sense of what you wanted to be or what you wanted to do at that point? Kitty was the person that kept me together she kept me together on every level. Whenever we went on a film shoot, Kitty took care of all the logistics: travel, money, hotels, all that stuff. At Turner Broadcasting, I hired Kitty to be my production road manager. Kitty was my sister, she was my best friend and business partner. Unfortunately, she died of a very rare disease about ten years ago. But I've always dreamed of going back, setting up a funky little studio in The Pecan Barn, and just photographing the wonderful people and things in Pauls Valley - I wouldn't have wanted to be born in any other place or to have any other background. Now I've moved to Saint Lucia in the southern Caribbean, and I'm here for good. He bought and sold chickens and eggs, broomcorn and pecans. My grandfather had a little shop called The Produce House. They deserve the credit, my mom in particular, for giving me the ability to see a future for myself. We'd go down by the river for campfires and cookouts. We had hayrides, where we got in a big old wagon behind a tractor I learned to drive on a tractor. Roy Orbison was and still is one of my favorites - when he sang "Only the Lonely," he was talking to all of us. We danced to all those songs when they first came out. We were so lucky to have grown up with that rock 'n' roll music. I was a very good dancer with a great dance partner, Mickey Warren - we won contests together. I missed my high school reunion, which is a darn shame because I love those people. Have you ever seen The Last Picture Show? We had one movie theater, the Royal, and Bob's Pig Shop, our local hangout. It's been historically preserved with two original, wide brick main streets. We were dragging Main, going to the drive-in, hanging out at the Dairy Queen, just like in the movies. Take Happy Days and put them in the country! It couldn't have been more fun. What was it like growing up there?īarbara Pyle: If you've ever seen Happy Days, that was Pauls Valley, Oklahoma. With the anniversary of Born to Run upon us this week - as well as Springsteen's autobiography by the same name due next month, and the historical marker just erected at the site of 914 Sound Studios - we take you back to the Born to Run era with The Meola/Pyle Backstreets Interview.Įric Meola: Let's start back in Pauls Valley, Oklahoma. As she tells Meola: "I was born to run, and I'm still running." But the work itself stands tall, and the impact Springsteen's music had on her in the mid-'70s is still apparent today. In the grand scheme of her fascinating life and career, Pyle's time shooting Springsteen and the E Street Band - what might be the pinnacle of another life - is just one of many stops along the way. She was there for the founding of CNN and went on to co-create Captain Planet, a defining achievement in her ongoing environmentalism. She worked as an undercover photographer for NBC News, a marine photographer shooting the America's Cup, and a documentary filmmaker at Turner Broadcasting. While in college at Tulane she met Allen Toussaint and immersed herself in the New Orleans music scene. Out of their conversation comes a portrait of a woman "driven," as she puts it, to pull out of Pauls Valley and follow her dreams. Meola and Pyle met in 1974 as fellow photographers in New York City, but soon they were bonding over the music of Bruce Springsteen, taking in shows together on the Jersey side, and visiting the Record Plant where labor continued on Springsteen's third album.įour decades later, to mark the arrival of Bruce Springsteen and the E Street Band 1975, we asked Eric to interview Barbara and reminisce. So it made perfect sense to sit the two down together. In traveling with the band on tour that fall, Pyle was able to corral them into posing for this shot in her hometown, in front of the very coffee shop where she ate with her grandfather as a child.Ī captivating record of the Born to Run era, Barbara Pyle's images of Springsteen and the band in the mid-'70s are as indelible as her friend Eric Meola's cover shot for the classic 1975 album. Pyle describes the locale as "Americana squared." And she ought to know: Pauls Valley is the "postcard-perfect town" where she grew up. The cover of Barbara Pyle's recent book of photography, Bruce Springsteen & the E Street Band 1975 (Reel Art Press), shows Springsteen and the band in September of that year, in front of the Coffee Cup Cafe in Pauls Valley, Oklahoma. Barbara Pyle, author of Bruce Springsteen & the E Street Band 1975, looks back with friend and fellow photographer Eric Meola It charges an ownership fee, not a subscription fee, so you pay for the product once (and depending on your budget, you don't pay much) and keep it forever. The video tutorials also offer quick tips and best practices, and you can get additional design ideas from Affinity's YouTube channel. The product's store page also sells a textbook that holds your hand through designing projects, so it's very learn-as-you-go. But when it comes to essential layered shape designs and special effects (and creating patterns, and designing logos, and so on), it includes everything you need to get the job done well. I can't compare its feature set to its competitor, Adobe Illustrator, because I don't use Adobe products, so I can't discuss what it lacks. 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